Competition prints

  • Bye Bye Paypal.  Please use Bank Transfer.
  • A Dropbox link for files will appear after checkout & on your order email.
  • Cotton based with a slightly warm tone. Consider for portraits or natural subjects. Excellent colour reproduction and high archival life.
  • Consider for emotive images where the texture adds an extra dimension to your artwork. Cotton based with high archival life.
  • A stunning cotton based metallic paper for a unique metallic touch.
  • A slightly cool toned satin paper for general use.
  • A slightly cool toned glossy paper for general use.
  • A cheaper option to the fine art matte papers with a cooler tone and lighter blacks. Good for images of natural subjects where colour is important but blacks/shadows don't make the image. For images with deep blacks or important shadow areas use the art papers for richer and more archival results.
  • A high quality 100% cotton canvas with a fine weave which can be used as an alternative to textured papers for a unique look.
  • A premium alternative to Photo Satin. The cotton base gives more brilliant colours, higher archival life and an organic surface texture.
  • For when you can't decide, let John choose.
  • Eg, Competition number, image names, pickup arrangements, paper thoughts or anything else.

  • Include link here if using your own service, such as Dropbox, OneDrive or Smash.

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Upload and delivery

  • Prints files are required 1 month prior the competition submission date to allow time for printing and postage.
  • Prints will be delivered together in batches, one batch per competition.
  • Prints will be distributed to the club on the club night prior to competition submission, that way you have time to mount them.

2026 Uploads required…

  • Comp 1 – Uploads 12th February (Print submission 5th March)
  • Comp 2 – Uploads 2nd March (Print submission 2nd April)
  • Comp 3 – Uploads 7th April (Print submission 7th May)
  • Comp 4 – Uploads 4th May (Print submission 4th June)
  • Comp 5 – Uploads 2nd June (Print submission 2nd July)
  • Comp 6 – Uploads 6th July (Print submission 6th August)
  • Comp 7 – Uploads 3rd August (Print submission 3rd September)
  • I will do my best to provide wriggle room if you are a little late.

Print size

  • Images are sized to fit within a 30 x 40cm window.
  • Example 1. A typical 2:3 DSLR image will be sized to 40cm x 26.6cm.
  • Example 2. A square image would be sized to 30 x 30cm.

The service

  • Images are checked and may be tweaked for optimal printing on the paper of choice (many images look great on screen, but still need a little help translating into print).
  • I will not tweak your image it’s already well optimised, or if you don’t want it.
  • I’m happy to have a chat and provide any feedback about your images, technical or aesthetic.

File uploads

  • Please use a file upload service such as Dropbox, WeTransfer, Onedrive or Google Drive.  These are great services.
  • Paste the link in the message box when you order.
  • Email – not preferred because of the size limits and other issues, but yes you can send files by email.

Materials and papers

  • I use high end Epson printers which are capable of museum quality prints with the right papers.
  • I use papers by Canson, Hahnemuhle, Ilford, Epson and possibly others along the way.
  • Satin and gloss photo papers are the most cost effective.
  • Fine Art papers can provide a more unique and refined aesthetic, they have greater longevity and are crafted from finer materials; cotton for example in place of wood based fibres and plastics.
  • The options may change occasionally with availability.

Matboards

  • Matboards can be a good choice if you don’t have a matboard cutter, if you don’t have time to cut the mat yourself, or if you can’t physically make it to the club to submit prints.
  • Matboard dimensions are 40 x 50cm with a window cut to suit the print and a backing applied to the back.
  • Matboards are either white or black. White can come in different flavours, cooler or warmer.  Depending on my stock, I will endeavour to choose the white matboard flavour which best suits a particular image and its paper.

 

Links to file sharing services

Consider using one of these file sharing services.  Upload your images there and share the link with me.

  • Dropbox – Well featured
  • MEGA.nz – Lots of storage space
  • OneDrive – Can integrate well with Windows Explorer.  Good service but Microsoft has become annoyingly pushy with it in windows 11.
  • Smash – No account needed, link expires after 7 days
  • Proton.me – Known for privacy
  • Sync.com – Known for privacy
  • Google Drive May ask me for authorisation before allowing download
  • iCloud (Apple)
  • WeTransfer – No longer recommended, link expires after 3 days (may not be long enough)

Some of these services have apps which can be installed on your computer for easy uploads and link generation from Windows Explorer or Mac Finder.

 

 

File Formats for RPC competition prints – Quick rules of thumb

Most well prepared files are usable, but some are better than others, hope this helps.

File format:
  • Best: TIFF with lossless compression, 16 bits.
  • Next best: HEIF/HEIC, high quality, 10 bits.  If your software offers it.
  • Next best: TIFF with lossless compression, 8 bits.
  • Least preferred but usable: JPEG high quality (always 8 bits).
  • Not usually suitable: PSD, DNG, RAW.
  • File sizes can vary greatly between about 2MB – 200MB, depending on settings and the image.
File settings:
  • Output resolution: No need to scale your image, retain the full resolution.
  • 3000-6000 pixels on the long side should work well.
  • Sharpening: No need to sharpen for print, it’s often overdone and not reversable, I’ll do that.
  • Embed an ICC colour profile, usually adobeRGB’98 is a safe bet for output.
  • Resulting file sizes
Further information:
Resolution:
  • If the image is shorter than 3000 pixels on the long side, consider if actually has enough detail for printing.
  •  6000 pixels on the long side is enough, no need for more on a 40cm print.
  • For detail everywhere, a minimum of around 180 pixels per inch of print will be effective.
  • Greater than 180 ppi, up to 360 ppi can be better, but you’ll need to be looking more closely.
  • For viewing at typical distances, my rule of thumb is 3000 pixels on the long edge as a minimum, however you may get away with less.
  • Each photo is different, some demand higher resolution than others to look their best.
Sharpening for print:
  • Sharpening for print has a single purpose, to make up for the slight spreading of ink on paper which softens detail.
  • The correct amount of sharpening depends on the size & resolution of the image.
  • It’s better to UNDER sharpen than OVER sharpen because you can’t remove it later.
  • Over sharpening can look too crispy and digital, it can enhance noise grain and create light & dark lines around edges.
  • My rule of thumb is simply to say ‘it’s better not to sharpen, leave it to me’.
Colour Space (ICC profile):
  • A colour space describes how to interpret the colours in the image.
  • An ICC profile should be embedded in the file to indicate the colour space used.
  • Use a colour space that will contain all your colours.
  • sRGB is suitable for images without highly saturated colour.
  • AdobeRGB’98 covers most printable colours for high end printing, but isn’t technically perfect either.
  • eciRGB (v2) was designed for printing and a better choice most of the time.
  • ProPhoto covers all colours but can be overkill (better not to use it with 8 bit images).
  • Most of the time, a safe bet would be eciRGB (v2) or adobeRGB’98.
Compression:
    • Some file formats keep all the original data (lossless), others discard some (lossy).
    • It’s better to use lossless compression, but larger file sizes.
    • Lossy formats with high quality settings are usually fine.
    • Lossless formats are most important for large prints, prints with expansive & subtle colour transitions, or files which aren’t well prepared for print and need further adjustments.
Bit Depth:
  • Bit depth describes the precision of your colours.
  • It’s like comparing millimeters & inches, millimeters would be more precise.
  • Typical choices are 8 bits or 16 bits, but some formats may now allow 10 bits.
  • 16 bits is more precise and preferable.
  • 8 bits makes smaller file sizes.
  • This matters most for images with subtle colour transitions or images which need further adjustment for printing.
File Format:
  • TIFF – The most versatile, allows 16 bit files and lossless compression.
  • JPEG – Always loses data during compression. Usable with high quality settings, disaster with low quality settings.  Only allows 8 bit depth.   Not great if the image needs further adjustment for printing.
  • HEIF/HEIC – A more modern jpeg alternative, not used much yet.  More efficient compression than jpeg and allows 10 bits, so should be better than jpeg.

 

 

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